The music video features Turner dressed in a heavy chain mail gown, more or less as Aunty Entity, the character she played in the movie. As several spotlights shine on her, she proceeds to sing atop a platform while various scenes from the movie are interspersed. In the last portion of the video, Turner’s tour saxophonist, percussionist and keyboardist — Timmy Capello and a children’s choir accompany her.
The music video received an MTV Video Music Award nomination for Best Female Video.
The most complete collection of her career to date! EMI.
This exhaustive trawl through Turner’s career features 33 remastered tracks spread across two-discs and features all of her Parlophone/EMI hits alongside, ‘River Deep, Mountain High’, ‘Nutbush City Limits’, her movie themes for Goldeneye and Mad Max along with three brand new recordings.
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Own Home Happy Continuim
cats and All
This must be the eternal Kill for Ex-Husband Ike Turner. Look Tina is the greatest Pop-Star!
Tina Turner sexy voice. As sexy it could get
Legend
She said at one point it was not a good life.I’m sorry therefwas nothing to make you happy
She sai
Hit song very old
I bet she loved making this video. Pretty easy to stand in one spot and lip sync.
Songs that remind us of those yesteryears when a bit of tranquility existed among humankind
Wenn die Polizei und der Staats Faktor diesen Sodonougou Yves verteidigt dann wird es auffallen
What a UNIQUE voice! One of a kind vocals
It’s the bass guitar for me
It's like the 80's was the last time I can think of as Pre-Dystopian. Something happened that robbed us of our hope, inspiration, and individuality.
STILL LOVE THIS!!!
I think that’s the saxophone player from “The Lost Boys” movie
All we want is life beyond the thunder dome
Perhaps the reason this song and this movie appeal to us so much is because the human race has survived through multiple apocalyptic scenarios in our past. And the emotive energies of these ancient memories dwelling in our collective unconscious are summoned and reanimated by the Mad Max spiritual narrative.
So much predictive programming in 80s music.